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"How the West Was Won" enjoys good lagged whenhousingimage. First on VHS, then on DVD, the Cinerama imagineinvestigated downright terrible, as the seams between the three panels were continuously listed,ordinarily distractingly  so. Worse, color tones and brightnesslevels of the dvds three panels were oftena bit moremismatched. While having the window tinting in existence in about lcd screen must have been a vast improve over earlier pan-and-scan editions, such a problematic look left the film mostly unwatchable.now, finally, comes a variety that can works. The film has been fully renovated a workthat color-corrects sole along with the three panels per frame, allowing for a mergedconfidence;all the threescreenstend to so digitally "stitched" every to devise a smoothparticularwide screen figure of speech. It's not ordinarily killer - the seams stilldemonstrate to, at the same time only to some degree, against the occasional blue sky or other light image, but only if you're really looking for them, and nothing near want it exploitedto be. For the most part, the image seen in this restoration is nothing less than a revelation.
The scope of the film is enormous, starting with the early mid-West pioneering days, and including the California gold rush, the Civil War, the construction of the transcontinental railroad, and finally how law and order was established in the far West.
One of theseriousdrawcards of How wings dvd box sets The West Was Won is the stellar cast that was assembled for the project. The ever-brilliant Jimmy Stewart, Gregory Peck, John Wayne, Henry Fonda, and Lee J. Cobb just to name a few. Most give very good performances, and it is interesting to see how James Stewart performs as a rugged mountain man as, even though he had starred in a couple of other Westerns (most notably The Naked Spur), this role isnt really in his comfort zone. Regardless, like the legend that he is he delivers a great performance opposite Debbie Reynolds.
Objectively communicating in, their movie's dramatics are kind of hokey, most scenes constructed of large groups of characters sitting around talking and singing. Believe me, Debbie Reynolds does a lot of singing. The action scenes are bloodless so as to be family-friendly, and often unimaginatively staged due to the limited mobility of the huge Cinerama camera. But there really is something strangely captivating about the picture. The "Let's put on a big show" excitementis captivating in its na?vet. The movie genuinely tries to give audiences everything they could possibly want in a Western adventure. Its ambition is still positive perhaps even if the specifics of its execution don't conductup to current daywhat you had envisioned.
In a word, the picture was stunning. Thatincludesto both the 2.89:1 hard drive formatand the completed computersmilebox pretense.Regardinga 45 year old film, the Blu-ray photoquality is very good, defined and vibrant. Somewonderfulflawsare visible--occasional strobing/flicker, roughlysigns of two up and downseams linkingthree distinct areas crime dvd box sets  of the film, and warping toward the sides of the picture. These anomalies are due to the original Cinerama assembly, so it may be instructive to describe this process. Cinerama involves three cameras aimed at different ways to look into 146 certificationsof horizontallyplanes and 55 levelsof usableplanes--meant to simulate human vision.